#du #dulife Archives - DU Times All the Latest News and Admission Updates From Delhi University Sat, 15 Jun 2024 06:38:57 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.1 SADRSYA AS PER COOMARASWAMY https://www.dutimes.com/sadrsya-as-per-coomaraswamy/?utm_source=rss&utm_medium=rss&utm_campaign=sadrsya-as-per-coomaraswamy https://www.dutimes.com/sadrsya-as-per-coomaraswamy/#respond Sat, 15 Jun 2024 06:38:57 +0000 https://www.dutimes.com/?p=24953 INTRODUCTION:Art can be defined as a glimpse of absolute Brahman itself. All Indian aesthetics are considered as a path to realize this ultimate reality, which is presented in the Indian philosophical outlook. Art has been further categorized in two main categories. The first one being creative, which is called yoga and the second one being […]

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INTRODUCTION:
Art can be defined as a glimpse of absolute Brahman itself. All Indian aesthetics are considered as a path to realize this ultimate reality, which is presented in the Indian philosophical outlook. Art has been further categorized in two main categories. The first one being creative, which is called yoga and the second one being operative, which is called technical.

Art is not an act, but a kind of knowledge knowledge, and it does not support that art is for the sake of art because God is an aid and creation of the artwork which has been eloquently explained by the analogy of the point that just the pot aid to carry the water, it follows same in the concept of God and the artwork.


MAIN BODY:
Sadrsya has a literal etymological reference to the word which is- “sym visibility, con similarity, coordination and/or analogy” it is evidently present in the east Asian aesthetic theory which states that according to nature makes shape and shape resemblance which is defining the art as natures imitation in Japan as well, there are various aesthetic philosophers who have reiterated emphatically that art consist only in imitation, but sadrsya Shall not be understood as naturalism or illusion or imitation because of the very fact that it is being equated with Pramana Which is the true knowledge that is indubitable and non-contradicted in nature. Representation is very essential to the very substance of painting, and this process is usually translated as likeness, but it could also also be implied as correspondence of formal and representative elements in art. In rhetoric, the point that the young man is a lion exemplifies this process and this analogy can also help us to understand the process of aesthetic imitation as well.


It Can be understood on the lines of relation that VasuBandhu Explained it in Vignyan that is knowledge with it subject, so he explains it that the knowledge arises in the act of knowing which is comprising of the lower and the known and they do not exist apart from the act of knowledge since there is an immediate assimilation of knowledge with its object as there is an assimilation between seat and the fruit in the Form of reciprocal causality.


In Nāyay and Visheshak darśan as well, it defines this process as the condition of embracing in itself. Things of a manyfold nature which are distinct from itself. It is mainly talking about things of different types of nature and of relatively distinct characteristic features which makes it a condition of identity indifference. this can be understood as similitude, but in the form of simile, then simulacrum. Thus, the lightness between object and its depression should not be a likeness of nature, but shall be analogical and exemplary or both of these things as we have pointed it in the very first line of this article, which defines the concept of Sadrsya; This process as visual correspondence has been gravely misunderstood as a relation between two or appearances, namely within the work of art and sensational components, it is very important to note this fact that as aspectual coordination of concept And percept essential for knowledge is a very important point that has been raised by AK Coomaraswamy.


This establishes a concord between the pictorial and formal dimensions of work of art as this has been implied in Kausatki upanishad: Where distinction is drawn between sensational and intelligible prajña Matta Dimensions of appearance. It has emphasized as “truly from either alone, no aspect whatsoever would be produced” it could be further understood as in the context of Indian drama where gestures, speech, costume and natural adaptation of actor for character are regarded as phone made principles and the important means through which the theme of the particular drama could be significantly exhibited in front of the desired audience which points towards the singular fact that the Indian treatise regard Pramana As the central principle of art, which is an inwardly known insight.

Conclusion:
Beauty is considered as a democratic way to be compelling us to be better, the form and dignity that is the way in which beauty holds itself in the world and its relationship with truth, which is bounded order and harmony are very essential features of the disinterestedNess that has been Pointed by philosopher Kant; When a perceiver is trying to give a universal claim for a thing of beauty, as per his or her subjective experience, it is called as a static judgment.

But, Unlike in the western traditions where the cons is defined and confined to the sphere of ethics and in domain of art, one is not ashamed to say, “I know what I like” but in the case of Indian philosophical conception of pramana, It maintains that consigns is the fountainhead of every form of human knowledge and activity. This is well evident in the pictures attached within this article which I had personally took- they are not only representing different colours of Indian subcontinent but also about the artistic history enclosed in each curve of the design. 
https://en.wikipedia.org/wiki/Indian_philosophy

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Philosopher and their criticisms for Aesthetics https://www.dutimes.com/philosopher-and-their-criticisms-for-aesthetics/?utm_source=rss&utm_medium=rss&utm_campaign=philosopher-and-their-criticisms-for-aesthetics https://www.dutimes.com/philosopher-and-their-criticisms-for-aesthetics/#respond Sat, 27 Apr 2024 12:07:17 +0000 https://www.dutimes.com/?p=23779 Introduction:The class of philosophers have bitterly criticized the domain of aesthetics By leveling classical negative loopholes of this particular subject matter, which could be efficiently categorized in three ways, and they are as follows: The necessity or utility of this domainThe possibility of aesthetics The relevant availability of literature for this domain. The very discourse […]

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Introduction:
The class of philosophers have bitterly criticized the domain of aesthetics By leveling classical negative loopholes of this particular subject matter, which could be efficiently categorized in three ways, and they are as follows:
The necessity or utility of this domain
The possibility of aesthetics
The relevant availability of literature for this domain.
The very discourse on the subject has been the controversy’s favorite child. And it has not been well received by a plethora of philosophers, ranging from the British empiricists.


Main Body:
The primary criticism that there was no necessity of having an independent domain such as of beauty and aesthetics simply because of the fact that if there was no need felt until now, there is no need felt for future as well for the possibility of having any such subject in existence. There are British philosophers who have remarked that beauty and aesthetic subject is nothing but equated with the German romanticism movement Wherein these movements have only Resulted in sowing seeds of anarchy in the world of philosophy. As has been exclaimed by Shyamla that:

“The philosophers are hesitant or even reluctant to welcome this newborn baby, only on the grounds that its necessity was not fulfilled by the earlier philosophers’ ‘.

Additionally, it can also be said that beauty and aesthetic subjects have not provided any sensible or clear-cut information or detailed account of the traditional problems that have been faced and encountered by the philosopher since ages. Rather, they have added more confusion and chaos within the system.

“Some philosophers have even compared aesthetics with ethics and observed that reflective thinking on the issues of morality, help in improving the standards of morality.”

We see in our previous articles as I have mentioned the stages of development of morality, earlier, which was the idea that the virtues and deeds which are considered to be as ethical and moral are only those actions that are resulting in the satisfaction of the instinctual as well as the sensational needs of the particular rational agent performing those actions Then people started clinging on to the concept of traditional customs and religious Scriptures in order to determine what is right and what is ethically moral action. What are they just behavior and what is an unjust behavior in the eyes of tradition and that was considered to be the ultimate final call in the case of morality. Then we saw how individualistic notions, the importance of rationality as well as the relevance of reasoning and critical analysis was given so much weightage and importance that it led to the birth of yet another form of morality, which was intrinsic, deep and rational. The transformation of morality from one stage to another is a clear testament of the different development and evolution in the existence of this moral concept, which has proved to be beneficial and advantages for societies and the cosmological work culture.

But if you will try to find similar trends of development or evolution, in the case of beauty, aesthetic, subject, a person would Be nothing other than clearly Disappointed as there has not been any such development or refinement of the thought that it has been In the case of subject of critical thinking or ethics. And because of this, the philosophical enquiry in this subject has not received a favorable reaction in the minds of various philosophers as has been explained by Gupta in “Art Beauty and Creativity” book.
There are several other philosophers Who have criticized and have questioned the legitimacy of declaring beauty and aesthetic subjects as the subject of standard, scientific, philosophical discussion and discourse. This criticism could be further divided as per the logical positivists criticism on one hand and the loopholes that have been highlighted by the analytical tradition of philosophy.

The positivists Are those who have believed that the theoretical philosophical expositions are nothing but nonsensical, and since beauty and aesthetic subject is also healing from the same tradition, it is deemed to be devoid of any meaningful value. Furthermore, there is not even an inch of objectivity and this subject is purely based on what is art, what is creativity and what is beauty. All of these things are having prep standards and these prepositions are nothing but value judgements. These value judgements are not fit to be categorized as any sort of a proposition adding to this, all of these statements are considered nothing but valueless and meaningless, by Prof. Ayer. All of these deliberations point towards the fact that the subject must be discarded altogether.

Conclusion
The relative less availability of quality of literature, which is necessarily put for beauty and aesthetic subject Is abhorrently low. Harold Osborne observes:

“What aesthetics is about what is its subject matter, and what are its terms of reference have themselves become a subject of aesthetic debate”.

Then we have Sparshott who exclaims: “Among these men complain as general, so much has been written, so little is worth reading, and it is so hard to find out what is supposed to be going on… In aesthetics, There is no agreement as to what the problems are, and how they are related to each other. What should be studied and more importantly, what may safely be left unread” He has further highlighted his contentment with the status and nature of this aesthetic, subject by pointing out in his writing about the lack of critical standards and believed that the subject does not deserve any exceptionally, separate and idealistic aloof space in the academic discourse to be researched or studied upon.

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References:
Yuri Borev; Aesthetics; Natalia Belskaya…Yuvgeri Philippov; Progress Publishers, 1985.
Art, Beauty and creativity: Indian and western aesthetics; Shyamala Gupta; 2021.

https://en.wikipedia.org/wiki/Aesthetics

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Why B.A. Program is on Demand in DU ? https://www.dutimes.com/why-b-a-program-is-on-demand-in-du/?utm_source=rss&utm_medium=rss&utm_campaign=why-b-a-program-is-on-demand-in-du https://www.dutimes.com/why-b-a-program-is-on-demand-in-du/#respond Thu, 21 Oct 2021 14:17:42 +0000 https://www.dutimes.com/?p=21113 The B.A. program offered by Delhi University saw a huge demand among applicants this year. Lady Shri Ram College made for women have announced the first cut-off of 97.25 % for B.A. economics and now doesn’t have available seats for the general category. In the second and third cut-off list, all seats have been taken. […]

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The B.A. program offered by Delhi University saw a huge demand among applicants this year.
Lady Shri Ram College made for women have announced the first cut-off of 97.25 % for B.A. economics and now doesn’t have available seats for the general category. In the second and third cut-off list, all seats have been taken.
Similarly, At Aryabhatta College, most of the applicants took the admission for B.A. Program. According to Rk. Dwivedi, 74 admissions have been completed till Wednesday for B.A. Program in Politics and history.

TheThe B.A. program offered by Delhi University saw a huge demand among applicants this year.
Lady Shri Ram College made for women have announced the first cut-off of 97.25 % for B.A. economics and now doesn’t have available seats for the general category. In the second and third cut-off list, all seats have been taken.
Similarly, At Aryabhatta College, most of the applicants took the admission for B.A. Program. According to Rk. Dwivedi, 74 admissions have been completed till Wednesday for B.A. Program in Politics and history.

The principal for several colleges said that the reason behind the rushes for this program could be given to many factors, including high cut-offs offered by various colleges.
Principal of Gargi College Promila said “ in the first list, the cut-off was very high for various subjects so students who wanted to ensure the seat ended up taking admissions in B.A. Program. As the second and third cut-off lists decreased a bit, applicants are shifting for other courses.
Praveen Kumar said the disadvantage of this course is that there is no depth knowledge in this particular subject. But the advantage is that students can apply for their masters in this particular subject. For example, students who are pursuing History political Science combination can apply for both courses in their post-graduation. Further, it is good to have more options for students.
Many others are attributed that B.A. A program is a good option for civil examination. Many students find the integrated programs interesting as they don’t have to stick to one subject.
principal for several colleges said that the reason behind the rushes for this program could be given to many factors, including high cut-offs offered by various colleges.
Principal of Gargi College Promila said “ in the first list, the cut-off was very high for various subjects so students who wanted to ensure the seat ended up taking admissions in B.A. Program. As the second and third cut-off lists decreased a bit, applicants are shifting for other courses.
Praveen Kumar said the disadvantage of this course is that there is no depth knowledge in this particular subject. But the advantage is that students can apply for their masters in this particular subject. For example, students who are pursuing History political Science combination can apply for both courses in their post-graduation. Further, it is good to have more options for students.
Many others are attributed that B.A. A program is a good option for civil examination. Many students find the integrated programs interesting as they don’t have to stick to one subject.

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ALL YOU NEED TO KNOW ABOUT NORTH CAMPUS- SERIES https://www.dutimes.com/all-you-need-to-know-about-north-campus-series/?utm_source=rss&utm_medium=rss&utm_campaign=all-you-need-to-know-about-north-campus-series https://www.dutimes.com/all-you-need-to-know-about-north-campus-series/#respond Mon, 16 Aug 2021 18:38:21 +0000 https://www.dutimes.com/?p=20725 #1 – How to reach your college? – TRANSPORT   First things first, how to reach your college? So, here’s the start, METRO- the most available, accessible, and affordable means of transporting your-enthusiastic-selves to your destined colleges. Yes, your college is the one it is destined to be, by choice or not. You’re here and […]

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#1 – How to reach your college? – TRANSPORT

 

First things first, how to reach your college?

So, here’s the start, METRO- the most available, accessible, and affordable means of transporting your-enthusiastic-selves to your destined colleges. Yes, your college is the one it is destined to be, by choice or not. You’re here and that’s what matters at the end.

A wise man once said, focus on the journey and not the destination.

Talking of the journey, METRO life is incomparable to any other means of transporting experience.

It starts with dragging yourself out of your comfort space, from your house, roughly-readied for college, getting late for the morning lecture while butterflies giving an ache to the stomach. Looking out for seats to settle down and get into a state that is just a little more presentable in college. Figuring out why the aunties and uncles are looking you at or what is the baby starring at you for?

From my personal experience, metro speaks of life to me; Unknown people all around you, miserably judging you, even if all you’re doing is sitting in a corner, and reminds me of the need to “fit in” while constantly looking for seating spaces. Whenever I travel in the metro, I feel the brittleness of this living world around me, and at times, sense the dark mentalities if, lucky enough to not be following the so-called “social ethics”.

And therefore, the journey in metro teaches a lot of experiences to the young aspiring students.

 

Getting back to the topic,

There’re several metro stations NEAR the north campus and none IN the north campus, Vishwavidyalaya metro station being the most popular and renowned one. Most of the students use this metro station while coming to the north campus. The second most famous and convenient metro station is the Guru Tegh Bahadur or, GTB station and Vidhan Sabha station. All the three metro stations fall on the yellow line and therefore you need to switch or remain on the yellow line, depending on the line you take that’s nearest to your house, to reach the north campus area. One should always have some extra minutes In hand since all the three metro stations are usually crowded to their fullest.

Students usually take an electronic/ battery rickshaw from the metro stations to their respective colleges.

Colleges are 3-4 km from these metro stations and therefore one has to take an e-rickshaw or auto and simply cannot walk until and unless we have a budding MILKHA SINGH amongst us.

Although there are other means of traveling to the north campus, this combined journey of metro and rickshaw is found to be used by a majority of students and is quite feasible to them since it helps them save and budgetify their pockets.

 

For more information on particular routes and lines, you can download the “DMRC” app, i.e., the Delhi Metro Rail app.

Thank you!

*stay tuned for more articles following up this series of- ALL YOU NEED TO KNOW ABOUT NORTH CAMPUS*

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